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Thirty Two Short Films About Glenn Gould [Blu Ray] [The Criterion Collection] [Arrives in 30 Days]

SKU: ILYM96403175
Inventory: In Stock
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Original price was: $74.00.Current price is: $37.00.

Description

Thirty Two Short Films About Glenn Gould

Directed by Franois Girard

A rare film biography as boldly unconventional as its subject, writer-director Franois Girards visionary portrait of the iconoclastic, world-renowned pianist Glenn Gould explodes traditional biographical form to illuminate the brilliant, obsessive, and often enigmatic mind of a singular artist. Structured as thirty-two vignettesranging from dramatic narrative sketches to documentary interviews to abstract animationthe film traces Goulds evolution from prodigy to internationally acclaimed concert pianist, and ultimately to a reclusive recording visionary who abandoned live performance for his fascination with studio technology. Anchored by a mesmerizing performance from Colm Feore and accompanied by Goulds landmark recordings of Bachs Goldberg Variations, the film boldly deconstructs the very idea of artistic genius.

Key Features

  • 5.1 surround DTS-HD Master Audio soundtrack
  • New audio commentary with Franois Girard and Don McKellar
  • New conversation between Girard and filmmaker Atom Egoyan
  • Includes Glenn Gould: Off the Record and Glenn Gould: On the Record (1959)
  • Archival interviews with Colm Feore and producer Niv Fichman
  • Theatrical trailer
  • English subtitles for the deaf and hard of hearing
  • Booklet featuring an essay by critic Michael Koresky

Special Features

Feature Description
Audio Commentary New commentary with Franois Girard and cowriter-actor Don McKellar.
Director Conversation New discussion between Girard and filmmaker Atom Egoyan.
1959 Companion Programs Glenn Gould: Off the Record and Glenn Gould: On the Record.
Archival Interviews Interviews with actor Colm Feore and producer Niv Fichman.
Trailer Original trailer for the film.
Subtitles English subtitles for the deaf and hard of hearing.
Booklet Includes an essay by author and critic Michael Koresky.

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